Tuesday, January 29, 2008

Women's Fashion Mags: We're 'Confident'


min Exclusive! Women's Fashion/Beauty March "Spring Preview" Ad Pages: Are Strong Numbers Indicative Of A Downturn Denied...Or Delayed?

In a winter of economic discontent, here is a sector with plenty of advertising content--and you can pronounce it either way. For beauty and fashion magazines, March's "Spring Preview" is second in importance to September's "Fall," and surprisingly, the numbers below look like a rerun of the March 2007 prosperity, when 16 out of the 18 magazines closed up. Here, the ratio is 15 up/5 down, with monthly records set again by Elle and Vogue (and the New York Times' women's-fashion T), and the chart shows March being the catalyst to a decent first quarter. So far, mostly good, as we enter into the heart of 2008--leading to September.

But the executives of the advertising "up" March magazines were, in boy-scout and girl-scout lingo, p-r-e-p-a-r-e-d. Perhaps none more prepared than Vogue publishing director (since January 2002) Tom Florio, whose sales team broke the March 2007 record by 20 pages. "In October, after meeting with top fashion executives in Europe, I had a strong sense that 2008 would be tough," he says. "So, I gathered my staff and we developed new work-with-the-client strategies, and we built on our existing platforms, including SHOPVOGUE.TV. Our message is that we have a powerful brand that drives consu mers to retail, and, with that, I remain confident about 2008."

So, too, does Elle senior vp/group publisher (since March 2002) Carol Smith, following a March that squeezed past 2007's record by three pages. "Being French, we're helped by the strong Euro against the dollar," she says. "And we're also helped by the affluence of our readers. In March, we are carrying the Swiss designer Akris for the first time in many years, along with new-advertisers Jean Paul Gaultier, Aerosoles, and the more mass TJ Maxx. April is also off the charts, but I am worried about the middle class disappearing."

It is a bigger worry for In Style publisher (since September 2001) Lynette Harrison, because, as would reflect a People spinoff, its 1.7 million circulation is more "mass." "The public feels the pinch, and we feel the pinch," she says, in explaining an estimated 36 ad-page drop to 285. "Advertising has started slowly because while we are getting plenty of beauty/fashion/retail, we are not getting the inserts." Gucci/Chanel are among the IS participants.

W publisher (since March 2005) Nina Lawrence got the insert--30 pages of Gucci --inFebruary (see last week's min), which partially explains the 34 ad-page drop from March 2007's record 475. Also, the loss of Gap, which is not yet running in any magazine this year.

At Harper's Bazaar, publisher Valerie Salembier, who celebrates her fifth anniversary in March, tells of new advertisers Akris/Laura Mercier/Guess/Rena Lange, and for high-society car buffs, Bentley/Lamborghini. Like Elle's Smith, Salembier all but guarantees an up April that will follow a +4.5% March, but September and November (HB's 140th-anniversary last year) will be challenging.

Might also be for Town & Country publisher (since October 1999) Jim Taylor, who will face a November issue that last year marked the 25th anniversary of Princess Grace's passing. But the March T&C was enriched by Prada/Piazza Sempione/Fratelli Rossetti/Prada and, in the HB car spirit, Mercedes, while Marie Claire publisher (since September 2004) Susan Plagemann welcomed Dolce & Gabbana/Emporio Armani/Max Mara and Salvatore Ferragamo.

At Glamour, just-promoted publishing director Bill Wackermann has Tiffany & Co. opposite cover #2 in March as symbolic of a "high-end business that continues to boom." At Cosmopolitan, publishing director (since August 1995) Donna Lagani says that fashion/retail and beauty sectors are "fun and fearless" in March with +24%/+22% differentials.

At Allure, vp/publisher (since April 2001) Nancy Berger Cardone boasts 15 new advertisers this quarter to add to the 80 who joined last year--including, in March, Baume & Mercier/Frederic Fekkai and, for liqueur fans, Hypnotiq. Self vp/publisher (since April 2004) Kim Kelleher says March is retail-driven (Dillard's/Macy's etc.), and, for "alligator buffs," carries Lacoste. Ditto Essence (JC Penney/Wal-Mart, etc.), where president (since January 2005) Michelle Ebanks says that retail is strong, but "fashion is still a battle for us."

Going against a big March 2007 was the "battle" for O publisher (since July 2000) Jill Seelig, but Calvin Klein Apparel debuted. March's ad-down "hiccup" for Redbook publisher (since July 2003) Mary Morgan was partially cured by new jewelry advertiser Silpada Designs. New Japanese facial-care advertiser Shiseido put publisher (since 2005) Sabine Feldmann in better Shape, and counterparts Lee Slattery (Fitness) and Mary Murcko (Women's Health) both reported gains in beauty.

For New York magazine publisher (since July 2003) Larry Burstein and New York Times magazine executive director/advertising (since 2001) Rich Colandrea, it remains--to resuscitate the campaign phrase--the economy, stupid!, which, in the upscale Big Apple, looks, for now, smart.

Thursday, January 24, 2008

The Wal-Mart Magazine List. A Look at The Impact


The Wal-Mart Magazine List. A Look at The Impact
By John Harrington
Since mid-December, it was widely known that Wal-Mart Stores had reduced its authorized magazine title list from around 2500 to just over 1100. However, most national distributors and publishers were advised only about their own titles, and a full list did not seem to be available. This past Friday, January 18, Keith Kelly, reporter for The New York Post, wrote about the retailer's action and noted some of the titles no longer available on the chain's racks. There is no question that it is major news when the world's largest retail seller of magazines reduces, by more than 50%, the list of titles it is willing to display. However, the actual impact of the move is not likely to change in any significant degree the overall state of magazine retail sales, or even sales in Wal-Mart itself.

Although Kelly noted Wal-Mart's share of all newsstand sales at over 20%, The New Single Copy estimates the number to be in the 15% to 18% range. It may be even less. At the 2005 American Magazine Conference, Time Inc. CEO, Ann Moore, when introducing Lee Scott, Wal-Mart's CEO, said that his stores accounted for 12% of her company's sales. Not only are Time publications such as People, Real Simple, and In Style, major sellers in Wal-Mart, the company also publishes All You, distributed exclusively in the chain. Time Inc. generates more retail dollars than any other publisher, and while some others may be more dependent on Wal-Mart sales, it is hard to calculate the retailer's share being very much greater than 15%.

While the elimination of more than half the titles grabs everyone's attention, most estimates are that the remaining 1100 plus account for over 95% of Wal-Mart's magazine sales. Some think the figure may be as high as 97% or 98%. Another fact to keep in mind, is that the size of Wal-Mart's revised authorized list is not that different from a number of other supermarket chains, all major competitors of the chain. In some instances, authorized lists of 1000 to 1200 have been developed with considerable direction from major publishers and national distributors, acting in a category manager role. It is no secret that larger publishers generally contend that crowded displays depress overall sales. Of course, that opinion is not universally shared, even by all wholesalers, let alone all publishers and national distributors.

Wal-Mart's list reduction should also be seen in the context of the chain's "Sustainability" initiative, which has identified specific goals for magazines: 1, a sales increase of 5.0%; 2, improving efficiencies to 50%; and 3, achieving waste reductions throughout the channel. (See The New Single Copy 10/29/07 and 11/5/07).

Another factor to keep in mind is that no single Wal-Mart display fixture is carrying much more than 300 different titles, forget 1100, at any one time. The larger figure represents the number of titles eligible for sale throughout the chain of more than 4000 stores, located in every part of North America. Many of the titles are only likely to be available in limited geographies, or at certain times of the year.

Much was also made of what seemed to be anomalies among the titles delisted by the Wal-Mart. Many of them are magazines targeting high-end customers, luxury markets, and smaller circulation (at least on the newsstand) social and literary titles. Given Wal-Mart's solidly middle-America demographics, many such publications would not reasonably be expected to produce viable numbers.

A few of the eliminated titles cited by Kelly deserve some explanation. The Economist was one. Actually, it has not been available at the chain for more than a year. When it raised its cover price by a dollar to $5.99, Wal-Mart refused to handle it as part of its overall policy of urging suppliers to keep their prices as low as possible. The publisher, who was selling only a few copies in the chain, stood by its decision. During the first half of the year, The Economist's single copy sales were up by more than 10%. Two well known Meredith titles, Better Homes & Gardens and Ladie's Home Journal, were also cited. Many people The New Single Copy talked to thought this might be the result of Meredith selling print overrun copies of the two magazines to a bargain store chain, where they were being sold at retail for a dollar. The policy was particularly irritating to Wal-Mart, which promotes itself to customers as the home of the lowest prices.

The New Single Copy is not dismissing the actions of Wal-Mart. Nor is it challenging the work of Keith Kelly, who is widely recognized as the most thorough and professional reporter covering media today (Note: Kelly did try and reach us while preparing his article, but we were not able to connect). The fact is that Wal-Mart is deeply committed to making magazines a key factor in its presentation. The list reduction should be viewed as a single step in the chain's goals for magazines. After the first "Sustainability" conference, Wal-Mart executives David Addison and Christy Jenkins said, "The summit was the first step in a very ambitious and audacious initiative that will increase profitability...and reduce waste. Everybody stands to gain by committing to this redesign of the magazine value chain."

Wednesday, January 16, 2008

Shelter magazine publishers adjust to changing housing market


Shelter magazine publishers adjust to changing housing market
By Davis Kho, Special to The Chronicle
The housing market isn't the only sector that was dealt a blow by the mortgage-financing crisis of 2007.
The publishing industry's once white-hot "shelter" segment - those magazines covering home design and living - also felt the reverberations of contractions in the economy, with Condé Nast's venerable House & Garden ceasing publication after 106 years. Martha Stewart's Blueprint magazine, with its "Design Your Life" tagline, ceased production of its print edition and moved to a less-expensively produced online version.

But are the jump in foreclosures and tightening of credit markets solely to blame? A range of factors - from the inevitable shakeout of an overserved market, to the growing preference for do-it-yourself design, to rising interest in sustainable living - is affecting the market for so-called house porn, at least as much as the economic slowdown.

Michela O'Connor Abrams, president and publisher of San Francisco-based Dwell magazine, says the demise of House & Garden was a calculated move on Condé Nast's part. "Condé Nast is one of the most successful magazine publishers and magazine marketers around," she said. "This wasn't a case of financial distress."

Steve Cohn, editor in chief of the Media Industry Newsletter, which tracks the magazine business, concurs. "I'm not sure House & Garden was hurting that badly. It seemed more of a strategic than an economic decision, done to help Condé Nast's other two shelter titles, Domino and Vogue Living."

Maurie Perl, a spokeswoman for Condé Nast, says that "while House & Garden had a strong connection with its readers, it just didn't have the currency with the advertising community" for it to continue after the sudden departure in October of Publisher Joe Lagani, who left to join online media company Glam Media. Perl confirmed that House & Garden print subscribers are now receiving either Architectural Digest or Domino for the months remaining in their subscriptions, and visitors to the House & Garden Web site are being redirected to Domino.com, giving credence to the theory that this was a move intended to shore up other Condé Nast titles.

Shelter magazines really came into their own in the post-9/11 environment. Gayle Goodson Butler, editor in chief of Meredith Corp.'s Better Homes and Gardens magazine, summarizes the lure of glossy home-design magazines at a time of national insecurity: "People wanted to create comfort and order in their lives. They might not have been able to control the world outside, but they could control their own home environment."

The availability of low-cost mortgage loans over the past five or six years, which made home ownership attainable for many for the first time, also broadened the potential readership. And with housing prices on the rise, it made sense for existing homeowners to seek ideas for keeping properties in tip-top condition.

According to the National Directory of Magazines, published by Oxbridge Communications, the number of shelter magazines increased by 57 percent between 2002 and 2007, from 148 to 233 titles. Nearly half of those - 110 titles - were added from 2005 to 2006. It seemed that you could tack the word "Living" to the end of any magazine and have a viable publication, and there was no segment too small. Thus, Men's Health Living, O at Home and Lofts joined home-design stalwarts like Architectural Digest and House Beautiful (owned by the Hearst Corp., which owns The Chronicle) on the magazine rack.

But in the past year, the directory found, only 16 new shelter magazines were launched. A number of those that had been spun off from established titles, like House Beautiful Kitchens & Baths, have failed to gain traction. In this changing market, even the magazines that have stuck around are reassessing what it takes to be successful in a post-housing-bubble world.

Dwell magazine has undergone a major overhaul that will be visible in the February issue. Abrams says the redesign began well before the mortgage problems. "Sam Grawe became editor in chief a year ago, and he brought in a new creative designer, Kyle Blue. We began at that time to reimagine what Dwell could be, seven years after it was founded. We felt that in order to continue to lead the discussion about modern architecture and design, the magazine needed to be brought up to date."

One of the most obvious changes readers will notice is a slimmed-down size; starting with the February issue, Dwell has kept its height the same but changed the trim width from 9 inches to 8.375 inches. The narrower size, along with a switch to soy-based inks and recycled-content paper, saves the equivalent of 935 trees' worth of paper per issue, according to Abrams.

"These changes are completely in step with our driving philosophy that great design is sustainable design," she says; the magazine had been looking for high-quality recycled paper stock for some time, she says. Abrams confirms that the recycled paper costs more but "because we need less of it thanks to the new size, we just reinvest those savings to cover the higher cost."

A change in dimension is only the start of the story. The design team overhauled Dwell to improve its navigability and freshen the design, changing the cover design and some type fonts. Changes to the editorial content include new departments, such as Theme Attic, in which Dwell asks artists, designers and architects to interpret the issue theme, and Process, which shows readers how the things in our homes are made. Off the Grid has been updated to provide a deeper view into the systems that drive sustainable homes.

In the Modern World also has gone through a radical update. "When the magazine started in 2000, this section was supposed to be four to five pages long; over time it had expanded to 20 pages," explains Abrams. "Now it's back to its original purpose, like a newspaper of current design news tucked inside the magazine."

My House now offers the first-person perspective of the homeowner engaged in a home building project; the February issue chronicles a homeowner who overhauled an 1,100-square-foot home for $55,000 and sweat equity. The inclusion of this section speaks to another major trend affecting the industry: the democratization of design, as more homeowners feel emboldened to tackle their own projects when hiring an interior designer isn't an option.

"The idea of design in the home has been changing over the past five or six years," Abrams observed. "With stores like Ikea and Design Within Reach and Target, people are realizing that they don't have to be professionals to have an appetite for good design."

Better Homes and Gardens' Butler has also noted the shift away from professionally decorated homes to those that are in a constant state of renewal by homeowners. She joined the magazine in July 2006, and, through extensive discussions with readers and subscribers, found that their 7.6 million readers thirsted for the creative outlet that home design represented.

"The home television shows gave our readers a sense of permission for trying new ideas, and not worrying if they didn't work out perfectly," Butler says. "It gives them an expression of creativity and accomplishment" to update their homes without having to call an interior designer.

Butler and her creative team launched what she terms "a fairly significant redesign" in February 2007, in an effort to keep the traditions of the 80-plus-year-old magazine intact while making the content and design more contemporary and compelling.

"We have more balance now between wonderful homes created by homeowners across the country and do-it-yourself projects - how to pull off what you see," Butler said. The editorial content includes more step-by-step instruction, as well as a balance of project durations from short to long term.

Better Homes and Gardens readers are also looking for their "green."

In June 2007, the magazine launched a green column and introduced its Living Green Editorial Board.

For now, coverage focuses more on everyday practices that reduce environmental footprints (like performing an energy audit and comparing energy-efficient appliances) than it does on green design, but the response has been very favorable. "It taps into our reader's interest in 'how do I build on what I have, reuse what I have?' " she said.

While shelter magazines are reassessing their print publications to respond to a changing marketplace, their online versions have also come into their own in the past few years. Part of it is a chance to reach a different readership; Butler estimates that there is only a 13 to 15 percent overlap between readers of the print magazine and users of the Better Homes and Gardens Web site.

It's also true that evolving technologies allow magazine Web sites to provide content and draw in reader participation in ways that improve upon print versions.

"The BHG.com site is loaded with video," said Butler, with topics like how to organize your pantry or fold holiday napkins. Dwell's Web site includes editorial blogs, podcasts narrating walking tours of Berlin and Brooklyn, and video interviews with design mavens like Quik house architect Adam Kalkin and co-housing architect Kathryn McCamant. Both sites invite reader participation in the form of comments and ratings.
But there are certain aspects of browsing through a print publication that simply can't be replicated online.

"The photography in shelter magazines just can't be matched with what's on the Web, at least for now," Cohn said. And tearing out expensively printed pages to take with you to a paint store or show a roommate still beats showing them off on your laptop screen or computer printout.

Despite House & Garden's demise, there continues to be a market for shelter magazines aimed at professional interior designers and the clients they serve. According to real estate market intelligence firm Altos Research, the median home price in San Francisco as of December was $820,361, hardly a sign of a collapsing market.

Cohn said that "though there is a lot of worry about the economy, higher-end publications like Robb Report Luxury Homes and Architectural Digest won't be affected."

But for those publications who aim to make design more accessible and affordable for the rest of us, evolution is the name of the game.

Of Dwell's recent update, Abrams said, "We'll live with it for a couple of issues, and gather user feedback. And then we'll continue to refine and fine-tune the magazine."

Thursday, January 10, 2008

Circulation Outlook for 2008


Circulation Outlook for 2008
By Kristina Joukhadar
In speaking with circulation marketers and audience developers about what they see as the major obstacles facing them in 2008, we got a wide range of answers. But there are a few common denominators-the effect of current economic conditions, integration of new technologies, shortage of experienced staff and the increasingly important interface with the reader were consistently cited. Here, in no particular order, are their concerns.

CHALLENGE NO. 1: INTEGRATING NEW TECHNOLOGY

For Terri Smith, director of circulation, Branch-Smith Publishing, the end of 2007 brought a new online lead generation system, which is increasing leads for the advertisers. One of the projects for 2008 will be integrating the new technology with the existing database and marketing expertise to make the most of this new capability.

"The sales people are loving the names, but it requires lots of double checking. We're diving into the data in our marketing department, tracking emails from readers and advertisers to see what they're saying [about the system and how it serves their needs].

"We've only had one or two months of it and we're working on what the advertisers are going to expect-are these quality leads? We're separating them into types-soft sell or hard sell or more serious.

On the consumer side, says Thomas Masterson, VP consumer marketing, Hachette Filipacchi, "the cost of technology has come down so much that it's easier to apply the technology and advance modern direct mail response models, like with your marketing database. Now we can afford to do it. Using the technology and analysis at an acceptable cost makes me a lot more optimistic than the magazine industry of two or three years ago.

In b-to-b media, "Continued technology advances will allow us to communicate with our customers in a more personalized manner and provide custom products for them," says Shannon Aronson, director of circulation, CMP Media. At the same time, "continued saturation of marketing through email and traditional marketing methods will continue to push marketers to find more effective and creative ways to communicate with their customers."

This will lead, Aronson says, to the need for circulators to work harder to build trust and a sense of community with their customers.


CHALLENGE NO. 2: NEW SUBSCRIBER SOURCES

Smith says the readers of Branch-Smith's greenhouse, nursery and retail garden center titles are basically small businesses, whose main competition is the Wal-Marts of the world. "The independent retailers, the little stores, are being lost," she says.

If a potential reader is looking for a magazine on these topics, says Smith, they will not know to go to one of the magazine Web sites. And if they do a search, they will end up on one of the large online magazine sales sites.

"We were riding on a pink cloud of readers coming to us," she says. Now, on the Internet side, "we've been using magazines.com and tradepub.com with great results," she says. "We do need to evaluate the quality of the readers. I peruse every order myself when we bring in subs that have been outsourced.

"They may not be qualified, and we're paying for every sub. But these companies are very reputable and they've been great. They grant credit if the people don't qualify.

"It's taken a long time to get there, but it's great: the boss is happy," says Smith.


CHALLENGE NO. 3: EMAIL DELIVERABILITY

For Christine Oldenbrook, director of marketing and emedia, Bobit Business Media, the biggest challenge for 2008 will be email deliverability and email address collection-for example by getting people to register for things on the Web. "We need to improve on the number of names," she says. "Deliverability continues to be a big issue.

"The more sophisticated the software gets, the more default filters there are-for example, in Outlook 2007. And enterprise firewalls bump everything into junk mail, so the delivery level is dropping. We're now doing it internally, but if the situation continues, we could be forced to send it out and go looking for a delivery solution."

"We're spending money on the software, but have to hire someone and make it their job," says Oldenbrook. "Building a unified database will help. When you're asking how many email addresses you really have, it becomes [crucial]. This year we'll figure it out, even if having a system means doing it internally."


CHALLENGE NO. 4: THE ECONOMY

Another force to be reckoned with is the economy, both in general, and in terms of the state of the print vs. online revenue equation in the media industry.

"The 80's are not coming back," says Masterson, "but the industry has come back quite a bit. Some of the most profitable magazines are life style and special interest. The consumers need them.

"We're not seeing the rapid growth of the past, which is bad. The good news is the business is profitable," he says, "even though individual titles are having a hard time.

"For example with the car books, the research shows that trips to the dealership have declined. But people still use the books," he says. "They research online but read in print, particularly as part of their leisure time. It's easier to digest.

"News magazines have been dramatically impacted by the Internet," Masterson adds. News and business have a different shape on the Internet and there is an endemic advertising base that has gone away since the tech bubble burst, and it's never coming back. There's been consolidation with the national advertisers online. And news and business magazines are closer to being affected by the online cannabilizing the print.

"It's interesting," Masterson says, "that according to research, women go online for recipes and health information, but there are some things, like fashion, that they want to read in print. So although everyone is feeling the financial pressures [of online content viewing], in some genres, it's not as bad.

"There's still a place for magazines. The way people read magazines is changing, but it's not all gloom and doom," he says.


CHALLENGE NO. 5: SPECIFIC INDUSTRY DOWNTURNS

"It's always true that when you serve a particular market and the market you serve goes through a major downturn, it's going to have an impact on your business," says Nick Cavnar, VP circulation, Hanley-Wood Business Media. Their primary market is residential construction, an area especially hard hit.

"There's not a lot you can do. You can have the biggest market share and the best sales force in the world. Subscribers can actually pay more attention to your product in a downturn. They may be reading for more ideas on what they can do to counteract the business climate, or they may have more time to read. But the advertising market gets tough," he says.

"People need good information more, especially if you have free subs (it's a challenge if people have to pay). It's not harder to maintain controlled circulation, but circulation people are under more pressure to pull the costs down and keeping the costs down means you need to spend more time on analysis, both for the sake of the company and the owners who need more information and analysis. You need to control costs and show how you are going to do it-under a microscope," Cavnar says.

"When times are good, you submit the budget-and you're always going to have reductions. But in a downturn, it's scrutinized a lot more, even if the budget is good news," he says. "You have to be careful to analyze in detail-everything has to be calculated more. There's more pressure to control costs and do analysis and documentation."

Cavnar's advice: "Be realistic and step up and provide as much information as you can. Do an analysis for the company on further cost savings. Look at your comp list for possible cuts; look at the circ on the file that may not be efficient.
"Maybe advertisers don't want certain circ, or they don't serve specific segments of the file. It may not be a segment the advertisers want to buy."


CHALLENGE NO. 6: INCREASED REGULATION

Consumer marketing is facing regulation from all sides now and it makes things more difficult, but it's all part of our modern world, says Masterson. "It's challenging, but the increased privacy that people are focusing on now as a bad thing also has a positive side. Consumers all want more control over how they are marketed to-for example with the opt-outs.

"You don't want to send marketing to them if it makes them feel bad about you," he says. "It's the concept that doing it [marketing] the wrong way damages direct mail and risks the channel. But you can do it the right way and meet their needs-as we all try to do."


CHALLENGE NO. 7: NEWSSTAND-MERCHANDISING


"We need to find a way to grow sales in the industry," says William Michalopoulos, senior director, retail newsstand marketing, Hachette Filipacchi. "We've made an impressive effort to cut copies out of the system, and now we need to see how we can grow sales using the smartest marketing successes and coming out of the box with a strong product.

"I'd like to see the industry have a unified marketing message. We're currently seeing the attack of candy and gum at the check out-they have a unified message.

"Publishers also overpay for stuff [at checkout] and in the end it drives up costs for everyone. The wholesalers put extra points over the prices for the checkout rack. It's ugly. I've always been an optimist, but it's getting harder," Michalopoulos says.

"We had a pretty good year-we rolled up our sleeves and cut out a million copies from distribution and still maintained sales across the line. It's been a successful program, finding the right products and the right place and executing it.

"We're still selling magazines, executing at the store level and having the right products are key," he says. "For the budget in 2008, across the line, we hope it will be flat. We're planning a couple of new things. Next year, we'll dig deeper. We've picked the low-lying fruit now so we'll have to work harder. And of course staffing is leaner all through the channel."


CHALLENGE NO. 8: NEWSSTAND-COST OF THE WIRE

"Looking ahead, one of our big concerns is the evolving dynamics at checkout," says Doug Serafin, director of newsstand planning, Hearst Magazines. "As the overall number of checkout pockets continues to shrink, the competition for front end positions only becomes greater. On top of that, there's also a new push to increase wire costs. And rising IPO costs are another concern.

"In addition, newsstand promotion costs generally tick up year after year. It makes good promotion even more important," Serafin says.

"So whether we're looking at investment in checkout or promotions or retailer incentives or the print order, we have to be careful as publishers to do it in a responsible way. Mistakes hurt the industry's bottom line, not just the magazine that makes the bad investment."

"Wire costs are projected to increase and installation fees are being assessed at the front end. For a magazine with a lot of pockets, that can be a big expense. Front end costs will increase for most titles, but many titles will not see any sales increase." he says.

"There are many layers of merchandising, carried out by both the wholesalers and the national distributors. But retailers may actually be in the position to help as much as anyone-they're in their stores every day. By encouraging retailers to assist in merchandising their own stores, it can only make things better."


CHALLENGE NO. 9: FALLING RESPONSE RATES


"Everyone's struggling with response rates," says Barry Green, VP circulation, Hearst Business Media, "especially controlled circulation-and direct mail in many markets is almost useless. The return on investment [for direct mail] is extremely costly.

"There once was a formula followed by most circulators to achieve audience goals, but now it's extra difficult to meet them. You used to get a 33 to 35 percent response rate on cover wraps-maybe more. That was 10 years ago; now you get maybe 15 percent on a qual wrap-that's a fairly general rate.

"So what's my choice?" Green asks. "Either tell management the budget must go up, or lower the audience goals (like maybe you can't have 100 percent in the one year column).
"We are spending more to get new people who are served subscriptions but never respond. People are just busy. It doesn't mean they don't want the magazine. But what do you tell them [to get them to renew], and how do you force them?

"It's hard to get people on the phone and talk to them these days," he says. "It used to be easier when there was no voicemail. You had to either answer the phone, or it went to the switchboard, where they would put it through to your line.

"That's not true anymore. You look at the number and if you don't know who it is, you let it go to voicemail. It's an enormous problem and it's basically confined to the controlled b-to-b arena. More overall calls and more repeat calls equals higher costs just to stand in place."


CHALLENGE NO. 10: STRETCHED TOO THIN

"In general," says Green, "there's also a challenge with circulation being stretched into many other areas of the business-like the Web, audience development, email marketing, list rental, online advertising, bonus distribution (anything and everything we can do as participants in creating the overall advertising environment and adding to revenue generation).

"On any given day, you can get hit from left field, with new requests and figuring out ways to meet them. I'm glad we have such a good fulfillment house that can maneuver anything into the existing framework. The funny thing is that 'technology' creates the difficult problems that need unique solutions but it also helps solve them."


CHALLENGE NO. 11: FINDING EXPERIENCED STAFF

It appears that many b-to-b's are very attuned to the Web, especially in markets where readers are searching for online business information. "In b-to-b, there's lots of product online and there has to be support for it," says Oldenbrook, who has just hired a Web analyst. "You can adjust the Web design to drive traffic and Web services, do search engine optimization-the publishing disciplines are more interdependent on the Web. And they need to know how to work together."

"The biggest challenge we are facing is finding junior people," says Masterson. "It's been very surprising over the last two years. We generally don't use recruiters for upper management or mid level positions. We use the online resume sites [and that's working].

"But it's hard to find people with one to two years experience," he says. "You have to bring them in from outside of the industry. And we've found one or two from the Web side. Mid and senior levels we can find-they're applying for jobs.

"Magazine titles have been cut in the industry," he says. "There used to be big departments, but now there aren't the same number of young people. In the last six months, people have been stolen away. The head counts are so tight-there's no more big staff at Ziff Davis or Times Mirror, or even at Primedia."


CHALLENGE NO. 12: CUSTOMER SERVICE

"It's the old 'plus/minus'," says Green, speaking of today's circulation climate. "All that's happened has made circ become audience development and it's become a greater mix of the 'publishing/ media' operation (plus), but there are so many more intricate and confusing bits of minutiae to deal with (minus).

"The difficulty is how do you handle all the customer service, privacy, unsubscribes, complaints, etc.?," he says. "These are minor problems, but they add up. Think of all the time consumered dealing with correspondence/email due to just a few questions.
"And then there's the people [staffing] problem," he says. "Do you have the time and the people to answer this stuff?

You'd like to keep it inhouse, because it's tricky, and if you have multiple products, it's not just a simple case they can handle at the supplier. What do you offer them when they complain? Do you say 'tell us what you want?' Or 'tell us what you don't want?' and watch out for 'Big Brother' if we're not careful."


PARTING THOUGHTS


On Controlled Circulation..."It's easy to look smart when the market is booming," says Hanley-Woood's Cavnar. "The proof of [your value] is how you will manage the business and how you will weather the downturns. For circulation people in the market, some parts of the economy are in recession and others are doing well.

"The big challenge is keeping [your programs] going. You can't stop doing things, like working on your expires and developing online as well as the print channels. You need to grow and invest-do more with less money," he says. "Is it a challenge or an opportunity? Can you build and develop things with your audience through electronic communications for less cost? Do your audience development electronically and save money?

"One of the things that's surprising is that list revenue is increasing and branded custom emails are getting more interest. By building the email database and email capabilities, you can make more contribution from circulation. It enhances what you can bring to the table for new revenue opportunities, which is great. A small contribution from circulation doesn't mean it isn't attractive: in a downturn, even small savings look good."

On Newsstand Sales... "The distribution channel needs to be streamlined," says Michalopoulos, "and now Wal-Mart is trying to eliminate titles from distribution and some wholesalers are talking about it. As an industry, we have to do a better job of cutting costs.

"It's a long term role," he says, "and the responsibilities of some of the players in the chain have to change, so that there's still enough pie to cut up for everyone. The distribution models have to change to enable a focus on merchandising and execution.

"I'm cautiously optimistic, but there's going to have to be some pain before things start to turn around. Magazines still have a part and can be very successful. We just need to get the right product in the right place where it can sell. I'm hopeful we will figure it out."

Seeing the Larger Picture..."It's hard to talk in a smaller context about audience development, when everything that we do is impacted by the larger context of the world," says Eric Rutter, VP audience development, Reed Business Information.

"The fact that it's changing all the time is part of the challenge, but the primary purpose remains the same: to deliver to our advertisers the targeted and relevant audience with penetration into the right companies and to the right people who will be engaged with the product."

Tuesday, January 8, 2008

Optimism Declines Among Ad Execs, All Media Impacted, Even Online


Optimism Declines Among Ad Execs, All Media Impacted, Even Online
by Joe Mandese
ADVERTISING EXECUTIVES HAVE GROWN SOMEWHAT more pessimistic about their plans for increasing the shares of their advertising budget for all media, but some media - especially online - seem to be holding up better than others. The finding, which comes from the latest wave of Advertiser Perceptions twice annual survey of advertisers and agency media buying executives, indicates a marked drop in the percentage of ad executives who expect their share of ad budgets to increase over the next six months for all the media measured. The worst hit of all the media, not surprisingly, were broadcast media outlets. Only 16% of ad executives expect radio's share of spending to increase over the next six months, down from 26% when Advertiser Perceptions conducted a similar study last spring, and down from 19% when it conducted it last year. Optimism for broadcast TV, meanwhile, dropped to dropped 22% in this survey from 29% in each of the last two surveys.

The most recent study is based on the results of 2,047 ad executives who completed an online survey in October and November 2007. The last study was conducted in April and May of 2007, and the previous wave was conducted in October and November of 2006.

While the optimism for online media fell slightly from the spring 2007 results, it has actually improved from the year ago sentiment (see table below).

Other notable declines in optimism appear to be impacting newspapers and mobile media.
Joe Mandese is Editor of MediaPost.

Thursday, December 20, 2007

F+W Shutters Multiple Hobbyist Magazines


F+W Shutters Multiple Hobbyist Magazines
Publisher shuts down five titles, lays off as many as 40 employees.
by Jason Fell

F+W Publications has shuttered five magazines under its Wisconsin-based Krause Publications division, FOLIO: has learned. The titles to be closed include Antiques and Collectibles Journal, Comics & Games Retailer, Toy Cars & Models, Toy Shop and Vintage Motorcycles, the publisher confirmed.

The publisher made the announcement to employees earlier this month in an internal memo. As many as 40 employees have been laid off, the source tells FOLIO:, although another source put the number closer to 15. F+W declined to confirm the number of layoffs.

"We take into consideration the marketplace we serve and the opportunities available for each of our magazine titles. After much analysis and deliberation, we have determined to cease publication of these underperforming tittles," chairman and CEO David Steward stated in an e-mail to FOLIO:.

"We are working to realign our business model and structure to meet the changing demands of the marketplace," F+W magazine division president David Blansfield said in the e-mail. Krause will continue to publish its other hobbyist titles, including Antique Trader and Old Cars Weekly.

F+W purchased Krause Publications in June 2002 for $120 million.
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CIRCULATOR: Newsday, Hoy Circ Case Settled
By Kristina Joukhadar
http://www.circman.com/viewmedia.asp?prmMID=3650

The federal fraud investigation of two of the Chicago Tribune Co.'s newspapers has finally (almost) come to an end. It was announced yesterday that the Chicago Tribune Co. will pay $15 million to settle the federal investigation into fraudulent circulation practices at Newsday and the New York edition of Spanish-language daily Hoy that occurred between 2001 and 2004.

The newspapers have accepted responsibility for the fraudulent conduct of their employees, have cooperated with the government in the investigation and have already paid about $83 million in restitution to their advertisers. In addition, they have implemented "remedial management and internal auditing reforms."

Newsday publisher, president and CEO Timothy Knight said, "Over the past few years, we have made comprehensive changes in controls, systems, customer relations, policies and our management team to prevent this from occurring again."

Nine people have pleaded guilty to participating in the scheme, according to the Associated Press, including employees ranging from vice presidents to home delivery and circulation managers. All are awaiting sentencing.

Tuesday, December 18, 2007

CIRCULATOR: Capell Celebrates 25 Years of CCR


CIRCULATOR: Capell Celebrates 25 Years of CCR
By Kristina Joukhadar
http://www.circman.com/viewmedia.asp?prmMID=3637&prmID=1

The December 2007 issue of Capell's Circulation Report is Vol. 26, No. 20, representing 500 issues and more than 6,000 pages published. Way to go, Dan!

As part of the 25th Anniversary Issue, Capell shares some highlights from the past:

"In 1982," writes Capell, Good Housekeeping (with an 80.8 percent newsstand sell-through rate), Family Circle (with 79.3 percent) and Woman's Day (at 75.7 percent) "were among the leaders in newsstand percent sale efficiency. Their efficiencies now hover in the 30 to 35 percent range."

"25 years ago, for magazines making a rate base claim, almost 60 percent missed their rate base. . . Now only about 20 percent miss their rate base, but more titles are not making a specific rate base claim (well over 50 percent of ABC membership)."

"Back in 1986," Capell writes, "Publishers Clearing House and American Family Publishers delivered over 25 percent of all industry new subscription sales." By 1995, their volumes were off 70 percent. Now, AFP is gone, along with other direct mail agents like Magazine Buyers Service, United Subscription Service, Magazine Marketplace, Great American Magazines. Worldwide and Perfect School Plan are also defunct.

And then the kicker: "In the very first issue of CCR, after analyzing the Seven Sister magazine category, we reached the following conclusion: 'The Seven Sisters represent a classic case history of the proverbial publishing treadmill. As ad pages increase, management pushes circulation well beyond its natural level.

'Then as ad page growth inevitably levels off, publishers are left with high circulation acquisition and maintenance costs no longer justified by ad revenues that are static at best. Magazine profits begin to slip. Circ directors are put in a no-win situation, as they are pressed to deliver inflated circ levels at ever increasing subscription and newsstand prices.'"
Adds Capell, "Twenty-five years later, the problem is still the same!"

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CIRCULATOR: Postal Rates Affecting Volume
By Kristina Joukhadar
http://www.circman.com/viewmedia.asp?prmMID=3642&prmID=1

The Postal Service released volume data for the fourth fiscal quarter of 2007 (July through September), and the numbers represent the first quarter to reflect the rate increase. According to David Straus of Thompson Coburn, legal counsel to the ABM, "It is not a pretty picture."

Here are some of the main data points:

* Regular rate periodicals volume is down 2.5 percent from the same period last year, and within that category, classroom publications volume dropped 11.8 percent vs. the fourth quarter of last year;

* Standard mail flat volume is down 9.1 percent, with non-profit enhanced carrier route flat volume down by a staggering 21.5 percent.

* First-class flats are down 12.1 percent.

Straus reports that because the new Flats Sequencing System will soon be deployed, if flat volumes continue to decrease, the cost per piece for the Postal Service will go up. He adds, "I think that we will see such continuing declines, especially in Standard mail, as direct marketers modify their mail shape and programs in response to the significant change in rate design that adversely affects flats."